The equalizer itself is very versatile providing up to 12 different bands, any of them can behave like digital precise EQs or can have analog character. The analog emulation in this plugin is the most advanced we have ever made, of course it emulates the saturation of analog gear but also the component tolerance so that no band behaves like another. In a few words it means a slight level of unpredictability that make things more interesting and “alive”.

Each band can work like any of the 17 different available filter type, including low pass, high pass, band pass, high shelf, low shelf and the classic fully parametric peak equalizer.

In addition to the standard eq controls specific to the filter type, every band can work as a dynamic filter borrowing the automatic attack and release and the automatic threshold from our HoRNet DynEQ, this approach gives you easy control on the dynamic behaviour of the each band without needing many controls and making dynamic EQ as easy as dragging a dot on the screen.
Each band of the EQ has Mid/Side capabilities allowing you to select individually the source and to correctly fine tune the frequency response of your stereo image.

The plugin also provide global controls that allow you to enable or disable analog emulation and saturation globally, and the ability to link input and output so that when you change one the other gets updated accordingly and you can easily drive the analog engine of the plugin without changing its output level.

To take EQ decision more easily we also added the “EQ LOUD” button that stands for “equal loudness”, borrowing the code from our CLMS plugin we are able to keep the loudness level constant no matter what you do to your eq bands, this in turns gives you the ability to judge your EQ decisions removing the infamous “loudness bias”

Features
Realtime spectrum analyzer
Equalizer response curve display
Up to 12 different equalizer bands
17 different filter types for each band
Each band can act as a standard or dynamic eq
Separate control for analog response emulation for each band
Separate control for analog saturation for each band
Separate control for analog saturation amount for each band
Solo and Mute buttons for each band
M/S or stereo mode for each band
Global analog emulation and saturation switches
Automatic output compensation on input level change
Constant loudness monitoring
Resizable interface, hardware accelerated
Apple Silicon M1 support
macOS (10.11 and later with Metal) and Windows

TotalEQ 1.3.2 is available, this update is free for owners of the plugin and includes:
Fixed misalignment of frequency spectrum with EQ bands
Fixed mouse scroll wheel resetting Q to 0.1 on first move
Fixed some bands being muted after deactivating “listen” for a band
Added scroll wheel control for frequency and gain
    
home page: https://www.hornetplugins.com/plugins/hornet-total-eq/

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