Red Giant Shooter Suite gives you the freedom to shoot the way you want, with the confidence that your footage will make it to the timeline intact, with audio synced and your on set decisions carried over. Shooter Suite includes BulletProof, a complete on-set footage prep and delivery solution that quickly takes you from backup through export, capturing everything you need. Fast, automatic audio syncing with PluralEyes 3 eliminates the need for clappers and time cues that come with multi-cam shooting.
Shooter Suite also includes LUT Buddy for sharing color decisions made on set, Instant HD for up-rezzing, and Frames for deinterlacing to integrate the footage you just shot with older video formats sharing the edit.
- Get to the storytelling. We shoot video not to document events but to communicate a story. Shooter Suite takes care of the data wrangling so you can focus on storytelling.
- Work with old and new. With up-converting and deinterlacing, Instant HD and Frames make sure the older footage you have matches the new footage you are shooting.
- Share your colors. Shooter Suite includes LUT Buddy, our indispensible tool for sharing color decisions between compliant applications as 1D or 3D LUT files
Red Giant Shooter Suite 12.5.1 includes:
- Bulletproof 1.2.1
- Frames 1.1.3
- Instant HD 1.2.2
- LUT Buddy
- Plural Eyes 3.5.3
Red Giant BulletProof - The other half of your camera. You’ve got a great camera, you’ve got a great editor - how do you manage everything between them? BulletProof is a complete footage prep solution that bridges the gap, with a workflow that simplifies how you handle footage every day. Offload, backup, organize, review, color, deliver: BulletProof has your back at every step. Review footage on the fly, make a first color pass, safely back up those clips - BulletProof hands you the perfect edit-ready shots. You run on passion, and you run all day. Whether you shoot with DSLR or a GoPro, BulletProof lets you focus on your story and get to the editor fast.
Red Giant Frames - Add a 24p film look to your video footage. Start with ordinary interlaced video, and apply Red Giant Frames' sophisticated algorithms. You will instantly get the smooth, deinterlaced look of 24p film that is artifact-free. Choose between field-blended and motion-adaptive approaches to frame interpolation, along with helpful features like letterboxing and broadcast-safe color check. With the six tools in Frames, you get a true 24p conversion from NTSC, PAL or HD interlaced formats - with high quality results inside your favorite editing timelines.
Red Giant Instant HD - Uprez and convert DV video into HD format. Red Giant Instant HD quickly up-converts your SD or DV video into a variety of High Definition formats with outstanding results. Its intelligent algorithms generate new pixels to resample and uprez your footage, then add sharpening and anti-aliasing to preserve the image details. A list of preset resolutions makes it a snap to convert and integrate DV video into your next HD production. Instant HD produces sharp, clear video in popular editors like After Effects, Premiere Pro and Final Cut Pro.
Red Giant LUT Buddy - Make LUTs, share LUTs, use LUTs. LUT Buddy was created with the professional colorist in mind. In fact, the product came directly out of the film work of Stu Maschwitz, the Creative Director for many of our products. LUT Buddy runs in popular editors like After Effects and FCP, and shares its values beautifully with our new BulletProof application. Export a 1D or 3D LUT to easily communicate color with compliant software and devices ranging from DaVinci Resolve to Panasonic displays. If you’re already using LUTs in your workflow, this tool was designed for you.
PluralEyes 3 - Audio/Video sync in seconds. PluralEyes syncs audio and multi-camera video automatically, preparing your sync in seconds rather than days. This standalone application works directly with Final Cut Pro, Premiere Pro, Media Composer and Vegas Pro, and can easily export media files for use with other NLEs. Monitor the sync with an interactive timeline and visual feedback, and use built-in fine tuning controls afterward. Version 3 is up to 20x faster than PluralEyes 2, and works with a variety of file formats and codecs. For a faster, less tedious and more accurate workflow, use PluralEyes 3 to revolutionize your audio/video sync in post-production.
System Requirements (Windows):
- Win XP (32-bit and 64-bit), Vista (32-bit and 64-bit), Win 7 (32-bit and 64-bit), Win 8 (64-bit)
- Pentium 4 2.4 GHz or faster (or AMD equivalent)
- 1 GB of RAM
Host Compatibility:
- Adobe After Effects CC, CS6, CS5.5, CS5, CS4, CS3
- Adobe Premiere Pro CC, CS6, CS5.5, CS5, CS4, CS3
- Final Cut Pro 6, 7, X
- Avid Media Composer 7 or later
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