Integration with Adobe After Effects and Apple Final Cut Studio enables you to share projects among After Effects, Color, and Final Cut Pro. You can export projects to Final Cut Pro for further editing and revisions, import Final Cut Pro sequences into Media 100 Suite, or export a Media 100 Suite sequence to Color for advanced color grading.

Media 100 Suite supports optional video I/O interfaces from AJA, Blackmagic Design, Matrox, and RED and provides AVCHD, AVC-Intra, FireWire, Panasonic P2, and Sony XDCAM acquisition interfaces.

Boris RED is included for integrated 3D compositing, titling and effects.

Broad Support for 4K, 2K, HD, and SD Standards

    Support for dozens of video standards in SD, HD, 2K, and 4K resolutions at rates from 23.98 to 60 FPS.
    All-On-One Mastering: capture and conform SD and HD resolutions.
    Real-time, broadcast quality HD to HD, HD to SD, and SD to HD format conversion with simultaneous HD and SD output for program out and monitoring.
    Real-time aspect ratio conversion (for preview, or when format converting on I/O).

Simply Compatible, High Performance

    Native codec QuickTime support including DVCProHD, ProRes, REDCODE, and more. Mix supported codecs in one timeline without conversion or rendering.
    Work with native 2K and 4K REDCODE (R3D) media in real-time without transcoding. A smooth and simple workflow for shops that shoot in 4K and deliver in HD.
    RED Rocket accelerated rendering for REDCODE media.
    Mix video clips of different standards in one timeline with automatic scaling and frame aspect correction.
    Integrated HDV, Panasonic P2 acquisition, DV I/O, HDMI I/O, SDI I/O.
    Support for all legacy Media 100 timelines, bins and programs.

Home: http://www.borisfx.com/media100/

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