![REVisionFX RE-Match 1.3.5 for After Effects / Premiere Pro](https://www.gfxtra31.com/uploads/posts/2014-06/1402738635_bda7b1ada3ad7bb01419090e63bd0fe4.jpg)
For general multicam shoots RE:Match matches, as best it can, one sequence's overall color appearance to match that of another. Download Links :
For stereo pairs, RE:Match can further refine the overall color match by taking into account that the two views are captured at the same time with a relatively small distance between the views. In addition, RE:Match is also able to propagate color changes into areas that are present in only one view. RE:Match can also make other details, such as reflections, specular highlights, and lens flares be consistent between the two views.
Features:
- Ability to globally color correct one sequence to match another.
- Ability to globally color correct a whole sequence based on a particular point in time, or can be performed separately for each pair of frames in both sequences.
- Ability to perform automatic global (whole image) color correction based on a smaller window of pixels for each of the image sequences.
- Works well with over bright values and very wide dynamic ranges.
- Matching for stereo pairs takes advantage of internal per-pixel registration using optical flow methods.
- Stereo pair matching takes into account occlusions.
- Stereo pair matching takes into account that the two images may not have corresponding details at some of the edges of the frame.
- Stereo matching has controls for making details, such as reflections, lens flares and specular highlights match between the two views.
- Methods provided to remove or attenuate on-lens artifacts (such as water drops on a lens).
- Because RE:Match uses internal pixel registration, stereo matching does not require image alignment prior to use.
- Visualization modes are provided to visualize and guide what RE:Match is doing internally.
- Not limited to any particular resolution of images.
- Works on all bit depths, including HDR images.
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