• Scott Kelby, Editor and Publisher of Photoshop User magazine—and the best-selling Photoshop author in the world today—once again takes this book to a whole new level as he uncovers more of the latest, most important, and most useful new Adobe Photoshop CS5 techniques for digital photographers.

Adobe Photoshop Plugins Ultimate Collection MacOSX

 

Create splines
With this script you can easily create smooth polygonal surfaces. First you need four shapes. You can draw splines or NURBS curves too.
Create panel > Shapes > Splines > Line
Create panel > Shapes > NURBS Curves > Point Curve or CV Curve
The shapes must be opened. The direction of the splines doesn’t matter, but the endpoints must be in the same coordinate.

 

 

 

 

 

 

 In the one hour that it takes you to view this instructional videotape, you can learn how to create an impressive watercolor painting. Zoltans instruction is easy to understand and to emulate, so the student will immediately feel relaxed, confident and ready to learn the techniques of one of the true masters of this art form.

 

 

 

 

 

 

Image management is one of the greatest challenges for photographers. Fortunately, many of us have access to Adobe Bridge, which offers powerful features to help you manage, sort, organize, and even share your digital photos. But not everyone knows how to take advantage of these capabilities, so in this course Tim Grey shares his tips for using Bridge to stay organized, streamline your workflow, and make your life easier.

In this workshop, you’ll work along with Angie Taylor as she uses After Effects to create a title sequence in stereoscopic 3D. Along the way you’ll learn the fundamentals of how stereoscopy works and how After Effects creates the illusion of depth in a moving image. You’ll also see how to combine 2D tracking and some basic 3D animation to create a 3D tracking effect, and how to work with effects, transparency, and styles. After completing this workshop you’ll understand the complete workflow involved in creating stereo 3D, from setting up a stereo 3D rig, to compositing footage and adjusting settings, to adding finishing touches like depth of field and motion blur.