• Spiggie is a sans-serif, whose name came to me on a Shetland beach. The beach traces a tight curve between the shoreline and the sea paralleled in the fonts controlled yet smooth character.
• The design language reaches back to the art deco period and the 1920s, yet retains a distinct modern flavor. 

• Speyside is a round, curved and controlled sans serif with an additional set of decorated uppercase letters, initials and small caps. It’s appropriate for text, titling and display. The origin of the name is taken from a small location in Tobago. The font is inspired by the local handicraft, the batik in particular.
• Each pro font style includes small caps and decorative initials as well as several OpenType features. 

• Sniplash is a lively font inspired by cartoons and comics of the 1960s and '70s.
• Casual and organic, this font features curly lines and irregular weights in Regular, Light and Bold styles. This design defies serious analysis and offers a fun attitude for lighthearted design.
• Excellent for parties, retro packaging or any number of uses. 

• P22 Sneaky is the newest font by award winning type designer Michael Clark.
• Sneaky is a connecting-script and sibling of his popular Pooper Black type which shares a similar flow and casual elegance. It features shared details and relative size so that with careful design, the two can be mixed and matched.
• Sneaky Pro features over 500 glyphs with alternates and a Central European character set. 

• P22 Salon was originally inspired by Art Nouveau lettering. In the development of the three fonts (P22 Salon Full, P22 Salon Inner and P22 Salon Shadow) they began taking on a slightly more modern feel. All three variations were designed to be completely interchangeable with one another, and can be layered to achieve a variety of effects 

• Pooper Black Pro is based on a brush ethic and has an extreme axis that lends a certain amount of speed to the font while the lack of connectors slows it down. The pro version expands on the original and popular Pooper Black with the addition of full Central and Eastern European character sets and plenty of alternate characters for those who have applications that support Opentype features. Almost all of the lower case characters now include an in stroke and out stroke version for greater design flexibility. A wonderful face for packaging, titling, and short bursts of text. 

• From acclaimed lettering artist and IHOF designer, Michael Clark, comes Peanut, a font full of bounce and liveliness.
• Peanut is based on the traditions of the long revered Roman miniscule. The letters are unique in that they imply “youth” without relying on cliché child-like letterforms. The set contains the fonts Peanut Regular and Peanut Salted which features alternate letterforms.
• Both fonts are combined into Peanut Pro with OpenType features. 

• Ornes is inspired by the runic alphabet with ornamentation based on the woodcarvings of the Urnes Stave Church (Norway), an old wooden church from approximately 1150 CE. The woodcarvings and their symbolism reach back to the pre-Christian era.
• The Ornes Pro styles each contain the runic alphabet, ornamented caps, small caps, ornamented small caps and other pro OpenType features (as shown on the “Pro” tab). Ornes Ornamented Rustic Pro features a subtle uneven lowercase, but does not include a set of regular uppercase characters. 

• Operina is based on a 16th-century lettering model of the scribe Ludovico degli Arrighi (Vicentino Ludovico degli Arrighi) used in his 1522 instructional lettering book, “La Operina da Imparare di scrivere littera Cancellarescha.” This book contains what is considered to be the earliest printed examples of Chancery Cursive.
• Rather than try to reproduce a perfect, smooth, type-like version of Ludovico’s hand, which has been attempted in the past, the designer opted to leave in some rough edges and, thereby, create a look that mimics the endearing artifacts of quill and ink lettering on parchment.
• When reviving an old style, a designer is faced with many challenging decisions, such as whether to aim for ultimate authenticity or to modify the alphabet for modern use. The decision here was to create a font that resembles the 16th-century Italian hand-lettering master’s, but is also useful to the contemporary user. 

AI | 10.7 MB

• P22 Nudgewink Pro is an ultimately cool, funky and decorative font style that evokes the popular culture of the 1960s.
• Hip and groovy uses include signage, invitations and greeting card design.
• Pro OpenType features include discretionary ligatures, alternates and ornaments. 

PSD | 900x1310 PIX | fontinfo | 18.5 MB

• The P22 Mystic font knows all. Aside from allowing for type design in a faux eastern script, this font peers into the world of the spirits for guidance and enlightenment. Sure it has small caps and ligatures as OpenType features, but it also has a special “oracle” feature which will answer your most mystifying questions.
• The design itself was based on an actual Ouija board. Somehow the spirits became embedded into the font itself and now when a question is typed, an answer is revealed (provided the contextual alternates feature is enabled). It is not know how the otherworldly harbinger was able to integrate into OpenType scripting, but who are we mere mortals to question this power?
• Ask and ye shall be amazed!
• Only the Opentype “Pro” version will offer the “magic 8 ball” feature. It also contains the small caps and old style figures as found in both TT and PS versions of the fonts. 

• P22 Late November is a new font family from Norwegian type designer Torliev Sverdrup.
• The font is a transitional Antiqua-inspired type design great for text and display uses. 

3 PSD | 3508x2480 PIX | 245 MB

• This font is based on a lettering style used as a logotype for the Larkin Company circa 1900.
• The Larkin Company began as a soap company in the late 1800s and eventually grew into a gigantic mail-order and chain store which manufactured and sold a wide variety of products. The Buffalo, New York based Larkin Soap Company was one of the first to offer promotional “premiums” to its customers to encourage sales. This marketing proved so successful that The Larkin Company started its own pottery to produce China and later furniture and other items which became products themselves.
• One of the Larkin Company’s star salesmen and exectutives retired early in 1893 to start his own venture. Elbert Hubbard combined his tremendous salesmanship with his love of the Arts and Crafts movement to found the famous Roycroft movement based in East Aurora New York.
• The other executives in the Larkin Company enlisted Frank Lloyd Wright to design the Larkin Administration building as well as several residences for various members of the families of the Larkin executives, most notably Darwin D. Martin.
• The Larkin Administration Building was demolished by short-sighted developers in the 1950s, but most of the Wright designed residences still exist. The remaining Larkin warehouse buildings are currently undergoing major renovations. This font was commissioned to serve as signage and titling for materials related to the LCo. Building which houses premium office space as well as a caf., day care and museum in the original Larkin company spirit.
• This lettering style is unusual in that combines aspects of several lettering styles. It is essentially a Germanic Blackletter but with many romanized capital letters and also features an italic slant along with some italic lower case traits. It is evocative of “old world” craftsmanship and early 20th century romanticism . The full font was developed was developed based on the limited “logos” which were all essential hand rendered variations of each other. The source Letters came from signage with the words: “The Larkin Co.”, “The Larkin Store” & “Larkin Soap Co.”