WOFF | OTF
This typeface is an attempt to offer as a font the well known marvelous Hans Holbein “Death Alphabet”, first published in 1523. We have tried to preserve as much as possible the spirit and appearance of the original Initials set — incredibly fine and enriched with detailed figures — trying at the same time to create a font not too complex to be usable. Neverteless, the font files are large, and when used, the decorated initials may appear on screen more slowly than ordinary characters. (Minimum size recommended : 96 pts)
We are offering here two complete standard sets (no accented characters) : Initials and capitals. We have reconstructed the missing letters : J and U, Eth, Lslash, Thorn and Oslash
WOFF | OTF
In the wake of the Enlightenment and the French Revolution there was a desire for a clear classical blackletter font without frills. That is why in 1793 the famous printer and editor Johann Friedrich Unger and his partner Johann Christian Gubitz accomplished their own fraktur.
Now you will be able to use both regular and bold styles of this highly readable blackletter font. These fonts contain many useful ligatures, and by typing ‘N’, ‘r’ and period you get an oldstyle numbersign.
WOFF | OTF
This font, was created -- inspired from the original manuscript of the French revolutionary song “La Marseillaise”, becoming later the French national anthem, composed in one night (1792 April 25th) by the 32 year old French captain, Rouget de Lisle.
It is a “Pro” font containing Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turkish diacritics. The numerous alternates and ligatures make the font look as close as possible to the real historic hand. Using an OTF software, the features allow variations of each character without anything to do but to select contextual alternates and standard ligatures and/or stylistic alternates options.
WOFF | OTF
This family was created/inspired from the well-known Baskerville Roman and Italic typefaces created by John Baskerville, the English font designer. We were inspired by the original family sent by Baskerville’s wife after his death.
The full Baskerville collection was bought by the French editor and author Pierre-Augustin Caron de Beaumarchais who used it to print - in Switzerland - for the first time the complete works of Voltaire (known as the “Kehl edition” from the "Imprimerie de la société littéraire typographique"). We have used this edition, with copies from 1785, to reconstruct these two genuine historical styles
25 UHQ JPEG | up to ~ 9000 x 6000 | 300 dpi | 210 Mb RAR
25 UHQ JPEG | up to ~ 8600 x 5700 | 300 dpi | 539 Mb RAR
25 UHQ JPEG | up to ~ 12000 x 4700 | 300 dpi | 206 Mb RAR
CS4, CS5, CS5.5, CS6 | No Requires Plugins | 1920x1080 | 151 MB
Watch Demo
Luxus Brut Sparkling developed from sketches for a bolder version of Luxus Brut (2009) that I made for a poster design. Interventions like slightly tightening the (still generous) spacing and amplifying the contrast between thick and thin strokes ended in a complete rework of the original font. All the shapes have been redrawn in respect of their distinctive origin in mid 1900’s signage lettering. It has now even more timeless elegance! For several characters you can choose alternate forms, accessible via two OpenType Stylistic Sets. Contextually substituted ending forms are available, as well as Numerators, Denominators, Superscript, Subscript and Fraction features, along with and a handful of underlining swashes for your Logotype designs.
OTF | 1 Font | JPEG Preview | 4.1 Mb RAR
Stock Vectors - Collection of Small Icons
25 EPS Vectors & JPG Previews | 285 MB
5 pics | JPG | 6000x3974-8000x5340 | 60.29 Mb
