OTF | WOFF | 2 MB
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Add some old fashioned charm to your designs with the distressed alphabets in the new BLINCtype Letterpress Fontpak, a brand new font collection containing 8 letterpress-inspired fonts from the creative minds at Blinc Publishing in St. Paul, MN.The BLINCtype Letterpress Fontpak contains a handy concise assortment of old-school display fonts. From the old Western “WANTED” poster look of Prospect Modern, to the no-nonsense all-caps classic Goshen and its lowercase companion Gideon, these fonts are inspired by wooden letterpress blocks and other archaic technologies.It’s like having your own letterpress print studio! Except it’s all instantly downloadable right now as easy-to-use fonts!Designers love working with the Cheltenham-esque Gomorrah and its grittier, grungier counterpart, Sodom. The bouncy Golgotha has a rough and tumble readiness that exudes a hand-made charm, while Hamilton Offset has a cryptic, experimental look and feel that gives the impression of double-vision. You also get the newest member of the Blinc font family, Player Piano, which was based on punch-cut stencil letters on an old player piano paper song roll.Purchase the BLINCtype Letterpress Fontpak today and you'll be able to download and start using these 8 great fonts right away!The BLINCtype Letterpress Fontpak contains the fonts: Gideon, Golgotha, Gomorrah, Goshen, Hamilton Offset, Player Piano, Prospect Modern and Sodom.
OTF | 11 MB
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Precious Sans Two is a complete reworking of the 2002 design which was only ever available in PostScript format. Over a decade later G-Type’s Nick Cooke decided to re-appraise the typeface, scrutinise the old letterforms and overhaul the family.Make no mistake though, Precious Sans Two is no rudimentary re-release; nearly every character has been redrawn, re-proportioned, respaced and improved.
Precious Sans Two is now in cross-platform compatible OpenType format with extended Latin language support for Western & Central Europe, the Baltics & Turkey.
The original quirkier glyphs (f, g, I) have been retained as an OT style set feature and the typeface now contains small caps and an extensive set of discretionary ligatures as well as both proportional & tabular figures.
The character set is further enhanced with the addition of 20 directional single and double arrows in each of the six weights which range from Thin through to Black, all with accompanying italics.
Precious Sans Two is a distinctively modern typeface, well equipped for advanced typographic use in print, web and digital publishing environments.
3 PSD | 169 MB
OTF | WOFF | 2.49 MB
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Estandar Rounded is a retro and vintage wayfinding sans serif font, inspired by old signal in central park and Europe. Is a Condensed sans with their tall x-height, the family has 6 Weight, its italics and a dingbat. It is an extension of Estandar font.
The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.
TTF | 1 Font | JPEG Preview | 1.2 Mb RAR
The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.
TTF | 1 Font | JPEG Preview | 1.1 Mb RAR
Unlovable is the font that isn't a font. At least it doesn't look like one. The letters have been carefully designed to flow together and interact with each other so well that your customers will probably think you created their design by hand.
TTF | 1 Font | JPEG Preview | 1.3 Mb RAR
PSD | 88,4 MB
Saloonkeeper, with its western looking spurs, was inspired by the Leinenkugel’s brewing label. The Saloonkeeper Pro font family introduces something new for script fonts, it’s called the Shadow Layer font, script fonts have connecting letters and this makes it difficult or impossible to create an open faced shadow version and make the letters connect in proper alignment with each other. The solution was simple make a separate font for the shadow that’s in registration with the first font, you must use an application that allows you to work in layers in order to take advantage of this special font. The Shadow Layer font was designed to give the letters a cast or extruded shadow appearance that you would find in sign lettering versus the standard drop or offset shadow that can easily be created in most graphic arts programs.
TTF | 6 Fonts | JPEG Preview | 1.2 Mb RAR
The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.
TTF | 1 Font | JPEG Preview | 1 Mb RAR
2015 Merry Christmas holiday vector background 15
EPS | 7 files | 52.36 Mb
2015 Merry Christmas sweets and design elements vector
EPS | 5 files | 66.51 Mb
AI, EPS | 1,59 MB
PSD | 7,82 MB
English | Nov 11, 2014 | .MP4 | Video: AVC 1280x720 15&30fps | Audio: AAC 48KHz 2ch | 630 MB
Genre: E-learning
UVW mapping allows you to take a mathematical, coordinate-based approach to mapping 2D textures to irregular 3D objects in 3ds Max.
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