This theme for Sports example Clubs,Football,Baseball,Basketball,Soccer,Hockey,Tennis and societies. Sports WordPress Theme have teams,players, Sports news and fixtures

Roker is a professional multipurpose template for any business or portfolio website, it's fully responsive design ready to look stunning on any device.

Reales is a fully responsive real estate HTML5/CSS3 and Bootstrap based web application template, with modern, clean and intuitive design. It includes many unique custom HTML and CSS components that look perfect on any size tablet or mobile screen.

Helvetica Ultimate Collection 475$
Helvetica | Helvetica World | Helvetica Neue
This typeface was initially released as Neue Haas Grotesk, and was designed in 1957 by Max Miedinger for the Haas’sche Schriftgiesserei (Haas Type Foundry) in Switzerland.

The name was changed to Helvetica (an adaptation of Helvetia, the Latin name for Switzerland) by Walter Cunz when D. Stempel AG, a major stockholder in Haas, reworked the design for Linotype GmbH in Frankfurt, a major stockholder in Stempel. The Mergenthaler Linotype Company in New York, then a major stockholder of Linotype GmbH, adopted the design, and it rapidly became the most popular sanserif in the world, replacing Futura.

Helvetica is designed as a strong central series, with condensed and extended forms and extreme weights adapted and added later, a system which suited Linotype mechanical limitations and marketing philosophy, but which resulted in a family of weights that were not as well coordinated as they might have been. 

GraphicRiver - 10 DeLuxe Photoshop Layer Styles C3 + Lights

Layered PSD, Photoshop ASL | CS+ | 17 MB

http://graphicriver.net/item/10-deluxe-photoshop-layer-styles-c3-lights/2245254

Copperlove Font

Copperlove was born during a very long and hard wintertime in Berlin. This font is based on Giuseppe Salerno’s Copperplate calligraphy. Oblique nib and sepia ink were the tools used to create this sublime english typeface. There are also many opentype features like alternates and beautiful swashes.

OTF | 1 Font | JPEG Preview | 6.7 Mb RAR

Compendium Font

Compendium is a sequel to my Burgues font from 2007. Actually it is more like a prequel to Burgues. Before Louis Madarasz awed the American Southeast with his disciplined corners and wild hairlines, Platt Rogers Spencer, up in Ohio, had laid down a style all his own, a style that would eventually become the groundwork for the veering calligraphic method that was later defined and developed by Madarasz. After I wrote the above paragraph, I was so surprised by it, particularly by the first two sentences, that I stopped and had to think about it for a week. Why a sequel/prequel? Am I subconsciously joining the ranks of typeface-as-brand designers? Are the tools I build finally taking control of me? Am I having to resort to “milking it” now? Not exactly. Even though the current trend of extending older popular typefaces can play tricks with a type designer’s mind, and maybe even send him into strange directions of planning, my purpose is not the extension of something popular. My purpose is presenting a more comprehensive picture as I keep coming to terms with my obsession with 19th century American penmanship. Those who already know my work probably have an idea about how obsessive I can be about presenting a complete and detailed image of the past through today’s eyes. So it is not hard to understand my need to expand on the Burgues concept in order to reach a fuller picture of how American calligraphy evolved in the 19th century. Burgues was really all about Madarasz, so much so that it bypasses the genius of those who came before him. Compendium seeks to put Madarasz’s work in a better chronological perspective, to show the rounds that led to the sharps, so to speak. And it is nearly criminal to ignore Spencer’s work, simply because it had a much wider influence on the scope of calligraphy in general. While Madarasz’s work managed to survive only through a handful of his students, Spencer’s work was disseminated throughout America by his children after he died in 1867. The Spencer sons were taught by their father and were great calligraphers themselves. They would pass the elegant Spencerian method on to thousands of American penmen and sign painters. Though Compendium has a naturally more normalized, Spencerian flow, its elegance, expressiveness, movement and precision are no less adventurous than Burgues. Nearing 700 glyphs, its character set contains plenty of variation in each letter, and many ornaments for letter beginnings, endings, and some that can even serve to envelope entire words with swashy calligraphic wonder. Those who love to explore typefaces in detail will be rewarded, thanks to OpenType. I am so in love with the technology now that it’s becoming harder for me to let go of a typeface and call it finished. You probably have noticed by now that my fascination with old calligraphy has not excluded my being influenced by modern design trends. This booklet is an example of this fusion of influences. I am living 150 years after the Spencers, so different contextualization and usage perspectives are inevitable. Here the photography of Gonzalo Aguilar join the digital branchings of Compendium to form visuals that dance and wave like the arms of humanity have been doing since time eternal. I hope you like Compendium and find it useful. I'm all Spencered out for now, but at one point, for history’s sake, I will make this a trilogy. When the hairline-and-swash bug visits me again, you will be the first to know.

OTF | 1 Font | JPEG Preview | 3.9 Mb RAR

Betatype - Pill Gothic 300mg 600mg
[ The Newest & Largest Gothic Character Set ]

24xTTF Fonts | $700 | 24 MB

Built Font Family

Built has one job: making solid, compact headlines onscreen. Designed with trust and neutrality in mind, Built’s wraparound shapes speak your headlines in newsy voice. Subtle curls conjure a feeling of a different news era while not coming across as particularly old-fashioned. The Built family comes in five weights, from extra-light to bold. But not your typical thin to fat linear range. When you’re designing for the screen, there are practical limitations with light fonts. These days, with variable resolutions and screen sizes, going lighter means going bigger. Much bigger. And it’s no fun if your words end up falling off the line. Built actually gets narrower as it gets lighter. Now you can can scale way up and still have room to spare. Set attractive, oversized page titles without worrying if the words will fit. Tabular (monospace) numerals are handy when you have lists of numbers to align. In headlines, tabular numerals don’t look so hot–and they waste space. Lots of fonts let you choose between proportional and tabular numerals. OpenType technology lets designers access different types of numerals, but implementing OpenType features on the web isn’t fun–it’s not always practical. Built has a simple solution: if you turn off hinting, numerals, monetary symbols and most math symbols line up. Easy. Built has fractions, primes, numeric ordinals, compact accents, the Indian rupee and the Turkish lira. As Built loses weight, its asterisk sprouts more legs, retaining it’s presence even in Extra-Light. The italics are squeezed thin and loosened up on the sides, creating cool emphasis that’s more than just a slant. Built is available in Extra-Light, Light, Regular, Semi-Bold and Bold plus italics.

OTF | 10 Fonts | JPEG Preview | 3.7 Mb RAR

Montio

Montio is a simple Humanist sans serif typeface with rounded corners. It’s a family of 4 fonts: 2 weights and their italics.

OTF | 4 Fonts | JPEG Preview | 4.1 Mb RAR

1,000 Premium Mac Fonts for Commercial Use - 128bitTech

1007 OTF Open Type Fonts work for Mac & PC | 32 MB

http://www.128bittech.com/premium_fonts.html

http://www.inkydeals.com/deal/1000-premium-fonts/