Vexed - Hand Sketched Type with Extras $29

2 OTF Font Files | Designer: Matt Desmond

Vexed is a hand-sketched font which contains two different versions of uppercase letters. This allows the designer to mix and match letterforms to make custom designs that appear to be hand drawn. Also included is a bonus set of sketchy graphic extras.

DisSonus X - Ideal for Initials $13

OTF Font File | Designer: Daniel Viberg

http://www.myfonts.com/fonts/dawnland/dissonus-x/

DisSonus X is ideal for: Initial characters - give your text a unparalleled facelift! Headlines - create a unique look for your posters, event graphics, book covers & music/media/game packaging. Preamble - reanimate the introduction... The bread text on the gallery images is written in Nihil. DisSonusX was revised 2012 and now hold a full character set of basic english/latin letters and west european diacritics! Note that there are no digits in this font. Use a fitting antiqua such as Berkeley Book or (insert your favourite version here) Garamond.

CM - Beer Bottle Forest Mockup 308189

Bucanera Soft - Prize Winning Clean Blackletter $100

4 OTF Font Files | Designer: Manuel Eduardo Corradine

http://www.myfonts.com/fonts/corradine/bucanera-soft/

Bucanera Soft is a clean modern blackletter designed especially considering its readability. Due to its soft edges, Bucanera Soft leaves the traditional look of aggressive and hard blackletters and allows to find a more friendly appearance in a wide range of applications. Bucanera Soft was selected as a winner in the 3rd Communication Arts Magazine Typography Contest in Typeface Design category, 2013 issue.

Domstadt - For Magazines & Headlines also Readable in Small Sizes $19

OTF Font File | Designer: Jakob Maser

http://www.myfonts.com/fonts/volcano/domstadt/

Ascetic 2D - Display Faces in Sacred Texts $46

2 OTF Fonts | Designers: Danylo Turetskyy, Lukyan Turetskyy

http://www.myfonts.com/fonts/2d-typo/ascetic-2-d/

This decorative font is based on Cyrillic Vyaz of XV-XVI centuries. This type of letters were used as display faces in sacred texts. In Vyaz, the letters are characteristically fitted to each other so the letter sequences look as one solid ornamental frieze. The font is rich in discretionary ligatures which help to accentuate the style of Vyaz. In addition to letters and standard characters there is a number of monograms and Christian symbols. These and other features are available in OTF format.

Viktor - Handprinted Woodcut Letters $28

4 OTF Font Files | Designer: Florian Zietz

http://www.myfonts.com/fonts/librito/viktor/

The design for the font “Viktor” is based on original woodcut letters I purchased on a Flea Market. I handprinted the letters and converted the result into a font. The font preserves the rough and handmade character of the printed letters. To make the font more useful especially for packaging I designed in addition to the original font an outline version, a shadowed version and a striped font.

Wagner Grotesk - War Propaganda Posters $50

3 OTF Fonts | Publisher: Canada Type

http://www.myfonts.com/fonts/canadatype/wagner-grotesk/

This is the elaborate digital version of Edel Grotesque Bold Condensed (also known as Lessing, Reichgrotesk, and Wotan Bold Condensed) a 1914 typeface by Johannes Wagner, which was later adopted by pretty much every European type foundry, exported into the Americas, and used on war propaganda posters on either side of the Atlantic. Bold, condensed, yet clear and legible, Wagner Grotesk is good for cramming information into tight spaces. Extended language support includes Western, Central and Eastern European character sets, as well as Greek, Cyrillic, Baltic, Esperanto, Maltese, Turkish, and Celtic/Welsh languages. Biform letters and small caps make Wagner Grotesk a most versatile and functional headline face.

Wagner Round - for Magazine and Book Cover $50

3 OTF Font Files | Designer: Patrick Griffin | TURKISH SUPPORT

http://www.myfonts.com/fonts/canadatype/wagner-round/

This is the rounded, softer version of Canada Type’s popular Wagner Grotesk. Originally done in 2011 for a global publisher, this font has already seen plenty of magazine and book cover action, perhaps even more than the sharp condensed face that spawned it. And like Wagner Grotesk, Wagner Round comes with small caps and biform/unicase forms, in addition to the main upper/lowercase set. The extended language support covers a wide range, including Greek and Cyrillic, Turkish, Baltic, Central and Eastern European languages, Celtic/Welsh and Esperanto. The Pro version combines all three TrueType fonts into one OpenType-programmed font, taking advantage of class-based kerning, the small caps feature, and the stylistic alternates feature for the biform shapes.

Alternate Gothic Pro Antique $100

3 OTF Fonts | Designer: Veronika Elsner | Design Date: Jun 27, 2015

http://www.myfonts.com/fonts/ef/alternate-gothic-pro-antique/

In 1903, the typeface family Alternate Gothic was developed for ATF (American Type Foundry) by Morris Fuller Benton. It was Benton’s intent to solve many diverse layout problems with the development of a narrow Sans with different width values. The Alternate Gothic enjoys great popularity to this day. Therefore, Elsner+Flake re-worked the typeface family, added all European fixed accents and complemented it with an Antique version.

Arched Gothic Condensed SG - Concave Extra Condensed $39

OTF Font File | Publisher: Spiece Graphics

http://www.myfonts.com/fonts/spiecegraphics/arched-gothic-condensed-sg/

Like a bright star shimmering on a still and quiet summer night, Arched Gothic Condensed is a glowing example of Victorian type. Thin in the middle with clumpy wedges on top and bottom, it truly bears the spirit of a bygone era. Originally known as Concave Extra Condensed, this typeface has shed its waist-high spur notches and gained new figures and lowercase letters. Developed around 1885 by the James Conners & Son Foundry (New York), Arched Gothic Condensed is a marvel of sparkle and glitter in nineteenth century typeface design. More…

Glow Gothic BF $29

3 OTF Font Files | Designer: John Bomparte

http://www.myfonts.com/fonts/bomparte/glow-gothic/

Glow Gothic BF, like its predecessor Subliminal BF, represents further exploration into typographic special effects. In its original form, it features letters that are transparent, with an opaque glow. Glow Gothic Overlay and Glow Gothic Underlay share identical spacing values and are designed to be used together. Though “Overlay” can certainly be employed as a separate, stand-alone, solid font, using these two together allows for greater color and (tighter) kerning possibilities. Glow Gothic BF offers versatility for a wide number of purposes and is sure to add an appealingly distinctive look to your design project!

Revolution Gothic P - Distressed Offshoot Typeface $65

4 OTF Font Files | Designer: Ryoichi Tsunekawa

http://www.myfonts.com/fonts/flat-it/revolution-gothic-p/

Revolution Gothic P font family is designed based on Revolution Gothic and a distressed offshoot from the original. Revolution Gothic is an arranged and extended version of PAG Revolucion released from Prop-A-Ganda type foundry in 2008. The original font is inspired by retro propaganda posters and wallpainting in Cuba from the 60s to 80s. And the original PAG Revolucion is the most popular font from Prop-A-Ganda. The glyphs that damaged by printing the original had been tweaked by hand work with great care to be looked like natural damaged effect. This Revolution Gothic P family contains basic Roman, Italic, Bold and it’s Italic to suit a wide range of your creative works and it will be one of the most powerful solutions for printing and web.

JLS Data Gothic - Retro Visionaries in Your Faces $25

4 OTF Font Files | Designer: James L Stirling | TURKISH SUPPORT

http://www.myfonts.com/fonts/fontry-west/jls-data-gothic/

Everyone remembers their first. JLS Space was my first. It was the first computer format font that I created. The font was inspired by the sci-fi movie posters, book covers and comic books of my childhood. The first crude letterforms were conjured in an all-night marathon session with no sketches and no planning. A simple character set, it consisted of upper case, lower case, numbers and basic punctuation. But, the project was little more than an interesting exercise, and JLS Space faded into digital limbo. This unfortunate font was ignored and lost for fifteen years. Mike Adkins, my co-conspirator, found and rescued the font file from the depths of a failing hard drive. He sent the file to me as a curiosity - a glimpse back at our humble beginnings. I started puttering around with it on a whim. Without really trying, Data Gothic began to form. The interesting letter forms in Data and Space Gothic struck a chord, and I was inspired to complete the project almost twenty years after it was started. JLS Space Gothic was inspired by the OCR and MICR fonts of the science fiction genre. Today, its character will enhance terms like Computer Diagnostic or Space Age Polymer. Posters, titles and displays will boldly blast off into the market place with these cybernetic letterforms. If Space Gothic is retro and seems limited in its genre, Data Gothic is contemporary with a broad spectrum of uses. This futuristic gothic doesn't sacrifice legibility for style. As a screen font, JLS Data Gothic is excellent for technical specifications, on screen dialogue, labeling, etc. In print, Data Gothic is a great font for text in manuals, schematics, maps and diagrams. To honor Sputnik, Man’s first voyager into space, Space Gothic and Data Gothic include Cyrillic.