GraphicRiver - Summer Kids Camp Flyer 11891376

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Undergrunge Tornado - Grunge Style Hand Drawn Font NEW!

OTF Font File | Designer: Roland Hüse | Design Date: Jul 2, 2015 | TURKISH SUPPORT

http://www.myfonts.com/fonts/myhandwritings/undergrunge-tornado/

This is another grunge style hand drawn font I created with a poster marker. Including all Latin language extensions, Cyrillic and Japanese Hiragana and Katakana. It’s an all caps font. I drew a couple versions of each letter then picked one of them for lower and one for uppercase so they can be combined for better flow and more even more natural look.

Dusan Script - Graceful Flow & Idiosyncrasies

2 OTF Font Files | Designer: Dusan Jelesijevic | Design Date: Jul 2, 2015

http://www.myfonts.com/fonts/tdf/dusan-script/

The Dusan Script font family is a wonderful set of handwriting script fonts that captures the graceful flow and idiosyncrasies of Dusan’s penmanship. The Dusan Script font family has an airy, natural personality, with open counters and features that make it legible at small and large sizes. Dusan Script Family consists of two fonts, Regular and Bold, and offers a fresh handwriting style to grace invitations, cards, newsletters, advertisements and correspondence.

Mastadoni - A Super Bold Headliner in 5 Optical Grades $100 NEW!

10 OTF Fonts | Designer: Dave Rowland | Design Date: Jul 4, 2015 | TURKISH SUPPORT

http://www.myfonts.com/fonts/schizotype/mastadoni/

Mastadoni is a bold headliner/masthead typeface, with high vertical contrast in a Didone style. That’s the starting point at least. There’s much more to this font than another modern clone. It is a specialized (only one weight) typeface that comes in five optical grades. Use G1 at very large sizes and G5 at smaller sizes. The grades can be combined so that the thins of type set at different point sizes appear the same thickness - a very useful feature for magazine layouts. Optical grades could also be used in circumstances where a logo needs to be size-specific; the text on your bistro sign can afford to be more delicate than that on your coffee cups. This is a typeface with a big x-height, small cap-height and stubby ascenders and descenders, which contribute to an overall appearance somewhat different from must Didones, and make for some interesting layout possibilities in tight spaces. Mastadoni features a number of useful OpenType features. All fonts include standard ligatures and automatic fractions. In the discretionary ligature feature, you'll find the Schizotype favorite “percent off” glyph. Just type '%ff' with dlig engaged and there it is! Case-sensitive forms are available in all the fonts. The contextual alternates feature performs a subtle trick that resolves an optical illusion whereby two ascenders next to each other appear to be different heights. 

The Roman and Italic styles have a different group of stylistic sets as follows: 

Roman: SS01 substitutes a less decorative 4; SS02 is a different eszett; SS03 substitues the # with an attractive numero glyph; and SS04 gives an alternate K. 

Italic: SS01 and SS03 are the same as in the Romans; SS02 gives you more bulbous variants of v, w, and y letters; SS04 is a single storey g; SS05 changes C, G and S to non-ball-terminal varieties; and SS06 changes the swash versions of E, L, N and Q (when the swash feature is engaged). 

Speaking of the swash feature, the italic fonts feature swash capitals from A to Z, and swash variations for lower case h k m n v w and z. 

Lastly, the discretionary ligature feature in the italic fonts has vi, wi, KA and RA ligatures.

Mastadoni is a typeface that would find itself immediately at home in glossy magazines, while offering a different aesthetic palette from the more standard choices of Didones.

Alebrije - Diagonals Without Upper Outer Serifs $332

42 OTF Fonts | Designer: Frantisek Storm | Design Date: Jul 4, 2015 | TURKISH SUPPORT

http://www.myfonts.com/fonts/storm/alebrijes/

I have a lot of “regular” fonts, but from time to time I need something more emotional for exceptional musical projects. This typeface was first used in spring 2015 for a certain CD cover and merchandising. Its sharp serifs and details fit engravings perfectly. As the work went on, the extreme styles raised from the need to illustrate a bizarre nature of other music genres I’m involved in. Lyrics in booklets are usually printed in very small sizes so I decided to cut those always disturbing upper outside serifs at diagonal letters “W, w, v” or “y”, and moved them to the bottom. Alebrijes has a total of 42 cuts with SmallCaps, several sorts of figures and the usual array of ligatures. Ready for any poster, record cover, branding or catalogue design and shorter texts. The name “Alebrije” [alebrixe] was chosen when designing the Italics: By coincidence, in May 2015, I found myself in Oaxaca, Mexico, influenced by its wonderful crafts and especially those animal sculptures called Alebrijes.

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