Learn to Paint Petunias in Watercolors for Beginners

Video: .MP4, 1280x720 | Audio: AAC, 48 kHz, 2ch | Duration: 31m

Genre: eLearning | Language: English | Size: 577 MB

Overloud TH-U Full v1.0.13 CE-V.R
V.R | 07.2019 | 243 MB
Overloud TH-U is a software suite for guitarists and bass players who like to do everything in the DAW. The previous version was TH-3 version, and the new TH-U brings more of everything: 15 new amps (94 in total), 14 new speakers (52 in total), 2 new effects (77 in total), a redesigned Cabinet IR module and a search function for presets.

Loose & Lively Watercolor Wreaths

Video: .MP4, 1280x720 | Audio: AAC, 44kHz, 2ch | Duration: 47m

Genre: eLearning | Language: English | Size: 884 MB

How to Paint Watercolor Landscapes

Video: .MP4, 1280x720 | Audio: AAC, 48 kHz, 2ch | Duration: 54m

Genre: eLearning | Language: English | Size: 0,99 GB

https://www.myfonts.com/fonts/sudtipos/presley-slab

The lightest weight of Presley Slab takes inspiration from a late nineteenth-century type specimen, but what began as a decorative and delicate contrasted serif stirred Alejandro Paul’s imagination to conjure voluptuous reverse contrasted letterforms. These became the heaviest weight of Presley Slab that nods to the King of rock ’n roll’s lacquered hairstyle with its idiosyncratic ball terminals – which also give this font family its name. Its playful allure and swagger remains visible in the weights that stand between these two extremes but as the curls loosened, many things happened in the design process including the appearance of swashes and alternates.

https://www.myfonts.com/fonts/roman-polishchuk/tilda-script/

Tilda Script Family is a clean and lining script with regular and non-connect versions in four weights. With this family you can craft solid logotypes with a unique look, set posters and ads, and even run longer lines of copy on packaging. Tilda Script is a versatile family with extensive language support and advanced typographic features including:Ligatures, Stylistic Alternates, Stylistic Sets.

Mogan Font

Mogan is an upper and lowercase serif font with nicely balanced curves. Like all of my fonts it is inspired by lettering from the good old past, but it still has a strong modern appearance. Its wide range of stylistic alternates allows versatile design options and works perfectly for headlines, logos, posters, packaging, T-shirts, postcards and much more.

https://www.myfonts.com/fonts/posterizer-kg/natron-rough/

NATRON Rough is the textured version of NATRON (rounded and condensed sans serif), in two weights, medium and bold. It features stylistic alternates and ligatures. Both fonts support Latin and Cyrillic codepages for Western, East and Central European, and Baltic countries. Designed for tight-fitting text, NATRON Rough is great for display, branding, labels, packaging, advertising, food, sports, titles, and any other type of visual communication projects.

Agile Font Family

Agile is based Edgar Walthert’s postgraduate exam-project with the same name from TypeMedia in The Hague. The text-pattern and display settings contain a liveliness that was derived from an organic work process while the type family was in development.

https://www.myfonts.com/fonts/typeassociates/aodaliya/

As a practicing graphic designer there have been numerous occasions when I have needed a font that didn’t exist. More often than not the style I was looking for was described as an extra-condensed sans-serif with a contemporary look that was available in a variety of weights. Small caps would be useful, so would a range of numeral styles. And matching italics too, of course. The proportions would consider viewing on hand-held devices, cell phones, remote controllers. And not forgetting that the font would be used in situations which required stacking the lines close. So the overshoots needed to be eliminated – the exaggeration of extremities that are intended to avoid round characters appearing smaller than their more squarish counterparts, often colliding when linespacing is tight. As I refined the design, I tested it on several works-in-progress providing a valuable testing ground and proving popular with my clients.

Trilogy Sans Wide Font Family

Imbued with a quiet elegance, the letter shapes are reliably functional. It performs exceptionally well with the demands of information graphics, such as timetables. The various widths and weights allow the type to adapt its personality across a massive range, offering a huge scope for potential use. As part of the wider Trilogy family it shares certain details, and harmonises well, with Trilogy Egyptian and Trilogy Fatface.

https://www.myfonts.com/fonts/creativemedialab/lordish/

If you're looking for a font to create a tattoo design, Lordish is the answer. Lordish has a unique design unlike most other blackletter font designs. Good for display font, tattoo font or other styles. You can also use it to design logos, album covers, posters, and much more.

Caslon Italian Font Family

Perhaps the strangest and ultimate example of experimentation in letterforms during the early nineteenth century was the Italian. Introduced by Caslon in 1821, it reverses the fat face’s stress—thins becomes thicks and thicks become thins—turning typographic norms on their heads. This new version extends the forms into new territory: a lowercase, an italic, and another one of the more unusual ideas of the time, the reverse italic or contra. Its limited success did not deter the typefounders from making another reverse stress form; the French Antique was less radical, but more commercially successful.

https://www.myfonts.com/fonts/lena-schmidt/schneidler-latein/

The Schneidler Latein is a sharp and elegant Antiqua based on the ductus of the broad edged pen with a strong character. Running perfectly in paragraph text giving it something quite special and being effortlessly legible at the same time, Schneidler Latein works great in headings as well. Each glyph is a piece of art ready to be used in branding and blowup combining beauty and personality in a kick-ass blend. It is absolutely new to the digital world as it never has been digitized before.

https://www.myfonts.com/fonts/paratype/herold/

The typeface was designed at ParaType (ParaGraph) in 1993 by Vladimir Yefimov based on Herold Reclameschrift by Heinz Hoffman of H. Berthold (Berlin), 1901, and Russian Herold typeface of the Berthold typefoundry (St. Petersburg).  The bold style based on Herold Heavy of H. Berthold (Berlin), 1904, of the same designer. Advertising and headline typeface in Art Nouveau style.

https://www.myfonts.com/fonts/pugnax/pugnax

It is a font suitable for comics, with many ligatures to simulate the "handmade" effect.