The typeface is tame enough to be used in corporate identity work, while remaining exciting enough for editorial designers. The family’s weights range from Extralight through Bold; the strokes of the letterforms are optically monolinear in all of them. Except for the lighter weights, the fonts have been optimised for use at running-text sizes. Clash Grotesk’s numerals are proportional lining figures, just as tall as tops of the uppercase letters. The lowercase’s ascenders rise up to this common capital/numeral height, too. The fonts’ x-height is tall, and the counterforms inside the letters are rather large. Clash Grotesk’s lowercase ‘a’ is double-story, while its ‘g’ is single-storey.