Baro Plain can be used on its own as a very heavy geometric sans, or it can be the placed as a base behind other Baro fonts (chromatic typesetting relatively simple to do in Adobe Creative Suite applications: just repeat the same text on multiple layers, use a different font on each layer, and make the text on each layer have a unique color). The characters in the Baro LineOne font are made up of very thin strokes. The letters don’t sit on a consistent, either, but rather bounce up and down along the line of text. In Baro LineTwo, each character is drawn with two parallel strokes – an outline and an inline, with a thick hollow counter space between them. Baro LineThree just is like Baro LinoTwo, but with thicker strokes. Baro LineFour is a stand-alone font; its characters each have thin inline strokes in the center of their ‘background’s’ thick monolinear strokes. Baro Contour is yet another font like Baro LineTwo, except that its parallel strokes are even thinner. Finally, Baro Strip is a prismatic version of Baro, which can either stand alone or combine with Baron Plain. In Baro Contour, the ‘strokes’ of each letterform are made up of five parallel lines. Baro was developed by the Paris-based designer Julie Soudanne.