With its friendly shapes and rounded terminals, Hansom FY is a modern and functional sans serif family with an air of technology. With 3 weights and their accompanying italics, this contemporary font is well-suited for all kind of application. From packaging to editorial design, from screen to branding – Hansom FY guarantees optimal readability. Hansom FY was co-created by Jérémie Hornus & Fontyou Team on co-create.fontyou.com, the first collaborative type foundry.
OTF | 6 Fonts | JPEG Preview | 4.8 Mb RAR
Squoosh Gothic is a serious new contender in the arena of headline fonts. Upright and condensed, Squoosh’s whimsical name belies its true nature. Though, that’s not to say it’s totally devoid of a sense of merriment – it just values a more orderly, regulated kind of tomfoolery. Mad-libs for instance, or The Times cryptic crossword. Its mature but unmistakably witty attitude can go a great distance to lending a sense of culture and an air of scintillation to your designs. Don’t miss out on this sanguine new font, Squoosh Gothic from Thinkdust, available now.
OTF | 2 Fonts | JPEG Preview | 5.1 Mb RAR
Egon is a contemporary Slab-Serif typeface family built in ten styles—extra-light, light, regular, bold and black weights in roman and italic respectably. This is a refreshed (second) edition of Egon Serif, originally designed in 2008. The typeface has been updated—four new styles in ExtraLight and Black weights were added to the family and minor adjustments to glyph shapes (mostly italics) have been made.The typeface is designed with industrial and architectural flavor, as homage to Egon Eiermann, one of Germany’s great architects of 20th century. Egon is ideal as text and display font for publication use. Egon is released as OpenType single master with a Western CP1252 character set.
OTF | 6 Fonts | JPEG Preview | 4 Mb RAR
Kurversbrug is a revival of the famous letters appearing on Amsterdam’s bridges. The letters were probably designed by Anton Kurvers (b. Den Haag, 23 July 1889; d. Amsterdam, 29 January 1940). Although many corrections were made in order to improve its performance on paper, the original look is still intact. Kurversbrug is a font suitable for posters and idiosyncratic typographic works.
OTF | 3 Fonts | JPEG Preview | 4.2 Mb RAR
Bardot is a versatile swashed type family that combines modern elegance with technical structure. It features swashed alternate caps, as well as various ligatures and alternative characters. Uppercase swash alternates can be applied to all characters or just the first of each word. These alternates can be accessed easily through any OpenType-enabled application for specific needs. Bardot works best as a display font at large sizes but is equally adept to paragraphs of text or small pull quotes. Graceful, curvaceous and attention seeking, Bardot offers elegance and charm in abundance.
OTF | 3 Fonts | JPEG Preview | 4.1 Mb RAR
PF Regal Stencil Pro Font Family
The objective of this project was to design a new typeface series for Grazia magazine. First published in 2010, Regal was later revamped and redesigned for commercial use, evolving into a type system with five related superfamilies. According to the brief, this typeface had to be elegant, luxurious, sexy, vibrant, reflect the female sensitivity and take into consideration a modern woman who is more proud, more connected, more spontaneous, open-minded and eager to try a whole host of new products and services. Targeting this consumption-wise and well-educated woman, required a typeface that is not strictly based on classic forms, but incorporates several distinct elements that express a modern woman’s personality and the products she consumes. In that respect, a whole series of 5 related superfamilies was designed, which not only emphasize femininity but also reflect both the romantic as well as the dynamic side of the female personality. For that matter, elegant curvy details were introduced in order to create a link to the female figure; teardrop terminals which reflect a woman’s sensitivity; pronounced quirks on upper and lower arms for her eyelashes; high-contrast, sharp corners at thinning terminals for her high heels; alternate glyphs for the woman who prefers to express her individuality -rather than slavishly follow trends- by using various accessories which can dramatically change her appearance; elegant endings and long curves to reflect her predisposition to dream; bell-shaped serifs with an inward rather than outward direction which recall streamlined seventies fashion. This series of typefaces is diverse in its construction as it consists of five related superfamilies i.e. text, display, finesse, swash and stencil. There is a variety of weights which range from regular to ultra black for each one of the five families. These families share common attributes but they differ in content according to each one’s usage. The whole superfamily type system is comprised of 47 weights with an average of 898 glyphs per weight. It supports simultaneously Latin, Cyrillic and Greek and comes with many alternate glyphs.
OTF | 10 Fonts | JPEG Preview | 5.4 Mb RAR
Caturrita is a versatile family for use in both long texts, and can be used in titles. The characters have fluidity, contemplating the principle of continuity. It has structural strength of the glyphs to be drawn by considering aspects calligraphy. The name comes from the similarity between the characteristics of the bird well known in southern Brazil: drawing the loose, fluid that resembles a flying bird. Moreover, a clear reminder that some of the glyphs are the serifs beak of the animal.
OTF | 5 Fonts | JPEG Preview | 5.8 Mb RAR
Chupada is an ultra-condensed font family noted for their exaggerated x-height, which consists of five different weights, accompanied by their italic version. It contains all the central european characters and Cyrillic. Chupada with its bold semi-modular forms make it ideal for use in headlines, posters, titles and anywhere you need for create impact.
OTF | 10 Fonts | JPEG Preview | 4 Mb RAR
Livory is a serif type family of four fonts including small caps, 25 ornaments & 50 ligatures in each style. It was designed by Hannes von Döhren & Livius F. Dietzel between 2005 and 2010. Livory is influenced by the French Renaissance Antiquas from the 16th century. It has an organic look with a warm touch and was especially developed for long texts. With its melted corners and individual serifs, Livory has also a smooth and handcrafted appearance in display sizes. With almost 780 glyphs in each font, Livory is equipped for complex, professional typographic work. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes small caps, fractions, old style-, lining-, tabular numbers, scientific superior/inferior figures, ligatures, ornaments and a set of arrows.
OTF | 4 Fonts | JPEG Preview | 3.6 Mb RAR
PF Bulletin Sans Pro Font Family
This is a grotesque typeface which was derived from an older more simple version designed back in 2000. Bulletin Sans Pro is distinguished by its selective deep cuts which give this typeface a robust and contemporary look. These cuts become more apparent at larger sizes while they create a more subtle effect at smaller sizes. For intense titles try the black version. When space and legibility for long texts are critical, use the lighter versions. The family consists of 10 fonts—from black to light—including true italics. It supports 20 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban lifestyle.
TTF | 10 Fonts | JPEG Preview | 4.3 Mb RAR
“A couple of years ago, when I was designing a package for a marmalade range, I started having a go at creating a typeface that would suit the package I had in mind. The whole process was intensely appealing to me: from merely using typefaces as an intricate part of my work as an art director, I started exploring the function of each and every element that a typeface consists of. The two things on my mind in designing a typeface for a marmalade brand were firstly, that I wanted it to have a hand-written feel, so as to exude that old-fashioned, homemade quality, and secondly, that it ought to have a certain sweetness and gentleness that would match the product. However, PF Scandal managed to outgrow its original inspiration. As I continued working on it, I toned down some of its elements to make it more versatile. And so, PF Scandal evolved into a typeface that has a contemporary, and yet handwritten look, which makes it suitable for a wide range of uses. The ‘Pro’ version comes with the full array of European characters including Latin, Greek and Cyrillic as well as 120 matching pictograms".
OTF | 6 Fonts | 2.8 Mb RAR
- Alright Sans is a contemporary sans-serif. Inspired by both grotesque and humanist models, it’s clean and prudent with a warm, friendly tone. Alright Sans is a modest design that doesn't feel at all stiff or bland. It has open apertures and roundabout economy that works exceptionally well across media and at reduced sizes. And with shorter-than-normal capitals and a tall x-height, it’s functional without becoming distracting, goofy, or unprofessional. Extra care was taken in creating the OpenType features in Alright Sans. Details were included to help make high-quality typesetting easier, such as case-sensitive punctuation and an optically-correct superscript. A stylistic set in the italics provides alternate two-story forms of the ‘a’ and ‘g’. Even the default numbers are the proportional width old-style forms for a more refined all-around text appearance. There are also lining figures for setting with caps and tabular-width versions for setting tables. Every style of Alright Sans also has a full set of built-in small caps, even the italics. There is also an expanded character set, supporting over a hundred languages. And with weights ranging from extra thin to ultra heavy, Alright Sans proves itself to be a versatile and useful family for a wide range of projects.
OTF | 16 Fonts | JPEG Preview | 2.8 Mb RAR
Concord Font Family $350
7 OTF & TTF Fonts | Designer: Aakash Soneri
Yet another typeface with simplicity as its core element. Concord is derived from a successful type family ‘Accord Alternate’ with an added geometric touch. Concord is a geometric sans serif. It has large counters which enhance readability. It is available in seven different weights for emphasis.
In 2004, Frutiger, together with Linotype in-house type designer Akira Kobayashi, reworked the Avenir family to address on-screen display issues. The result was titled Avenir Next. The typeface family was increased to 24 fonts: 6 weights, each with a roman and italic version, in 2 widths: normal and condensed. Frutiger’s numbering system was abandoned in favor of more conventional weight names. The glyph set was expanded to include small caps, old style figures, subscripts and superscripts, ligatures.
OTF | 17 Fonts | JPEG Preview | 4 Mb RAR
Sofia Soft is the rounded version of the successful Sofia Pro family. This softer variation with rounded strokes gives Sofia Soft a unique geometric sans friendly aspect for display uses, texts and headlines, branding, signage, print and web design projects. Sofia Soft is the ideal companion of Sofia Pro and improve versatility of the global font family with optimized spacing and kerning for print and display. Sofia Soft supports extensive languages such as Western European, Central and Eastern European languages. Available in 8 versatile styles, all weights contain the same Opentype features than his sister with case sensitive forms, stylistic alternates, localized forms, standard ligatures, lining and oldstyle figures.
TTF | 8 Fonts | JPEG Preview | 4.6 Mb RAR
Fidel Black Essential is a heavily weighted, condensed, sans-serif typeface with a large x-height. Ideal for short, high-impact headlines, its design is inspired by Russian Constructivism and old Cuban communist posters. Variants include Fidel Black, Fidel Black Italic and Fidel Black Stencil. Fidel Black Essential is an excellent choice for headlines, subheadings, posters and logotypes. Languages: Basic Latin, Euro, Mac OS Roman.
OTF | 3 Fonts | JPEG Preview | 4.2 Mb RAR
Vitali is a variation of my last font Aneba_family. This is geometric sans serif typeface family with a clean feel. The low contrast and high x height is perfect for longer text and Headlines. Vitali family contains 2 weights in two different styles - bold & italic.
OTF | 8 Fonts | JPEG Preview | 6 Mb RAR
The design of Beau Sans was inspired by Bernhard Gothic which is considered one of the first contemporary American sans serifs and was designed by Lucian Bernhard in the late 1920s. Panos Vassiliou came across this font while attempting to reduce the design elements of a text typeface, by introducing Bauhaus-like minimal forms to the characters. The first version was completed back in 2002 and introduced one year later in Parachute’s 3rd catalog, under the name PF Traffic. Some time later it was decided to make a few improvements but the project was so carried away that the new typeface which emerged needed urgently a new name. Beau Sans Pro is a modern sans-serif family of 16 fonts which includes true-italics. Just like all other Parachute fonts, it covers a broad range of languages by incorporating 3 major scripts i.e. Latin, Greek and Cyrillic in one font. Furthermore, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life. This typeface is totally recommended for titles and/or body text when you want to give a distinct and contemporary identity to a product or service.
OTF | 16 Fonts | JPEG Preview | 7.8 Mb RAR
This new serif typeface incorporates the latest research on typographic legibility for children, features to make it--well, extra legible. A little background: studies show that Bookman Old Style is one of the most readable typefaces, and as a consequence or perhaps the reason why, it is used thoroughly for childrenís books. This font became my initial inspiration for the typeface. Then, I found more legibility research saying that (brace yourselves) Comic Sans is also very legible for beginning readers, much due to the large x-height and softer, easily recognizable forms. In addition, forms that are closer to handwriting also seem to be more legible. Once I threw all that into my cauldron and stewed it a bit, the result was a pleasantly rounded typeface that includes not-so-strictly geometric, handwriting-inspired forms for the b, d, p, and q. Es guapo! Cabrito’s slender weights are simple and fun, with extras that turn any “bah humbug” into a smile. Add lighter touches to your project with the typeface’s included sparkles or rainbows (not included). Splash a little more color on the page with the firmer look of the thicker weights. Cabrito’s upright variations across all weights are matched by optically altered italics, too, giving you even more variety with the font family. This modern typeface’s bundle of alternates can be accessed in any OpenType-enabled software. The fashionable options involve a significant team of alternates, swashes, and meticulously refined aspects with ball terminals and alternate titling caps to decorate the font. Also bundled are swash alternates, old style figures, and small caps. Peruse the PDF brochure to check out these options in motion. OpenType-enabled applications like the Adobe suite or Quark allows comprehensive control of ligatures and alternates. This font family also provides the glyphs to aid a variety of languages. Cabrito is a welcoming, everyday font family by Jeremy Dooley. Use it to convey warmth and friendliness on anything from candy and food packages to childrenís toys, company IDs or run-of-the-mill promotional material. Cabrito’s unique appearance and high legibility make it equally at home in print as it is on a screen.
OTF | 48 Fonts | JPEG Preview | 8.2 Mb RAR
Semplicita Pro is a new sans serif design that effortlessly straddles the tri-cornered divide between the geometrical, humanist, and gothic sans serifs. We started by reappraising Semplicità, Alessandro Butti’s important 1930 design for Nebiolo. Fueled by Futura, Semplicità gave us the clue to the future: Replace the cool geometric Teutonic soul of Futura with the warm, humanist, calligraphic letterforms that are characteristic not of the Bauhaus but of the Italian Renaissance. With its radically revised formal structure, where only a few characters have a hint of geometric perfection, and the rest are drawn in a calligraphic manner, Semplicità is buzzing with ideas and has served as a gene pool for several new typefaces over the last two decades. Yet Semplicita Pro goes its own way. It isn't a simple revival of Semplicità, which would have looked like a period piece. We wanted to use it to solve a practical puzzle: How to make modernist sans serif letterforms truly readable at small sizes yet persuasive as message-carriers in display. We decided to keep its calligraphic soul and even emphasize it in places, and to relegate to alternatives all the features that seemed to be over-exaggerated, over-decorative, or simply non-functional. The result is an intensely readable sans serif design that, while obviously new and clearly stylish, provides the high comfort factor readers experience when viewing the classic stalwarts of 20th century sans serif design, and gives contemporary designers a widely expressive palette, all within the principle of simplicity leading to better understanding. Semplicita Pro is loaded with OpenType features and over 850 glyphs per font. For more information on the design, complete character sets, technological features, and print tests, consult the accompanying PDF.
OTF | 10 Fonts | JPEG Preview | 5.7 Mb RAR
A modern humanist sans serif made for the screen. Broad open letter forms are combined with precise geometry to create a functional and legible font that’s ideally suited to the web and on-screen applications. To reinforce readability and create more distinction at small point sizes serif like details have been drawn into uppercase ‘I’, ‘J’ and lowercase ‘i’ and ‘j’. Other characters of distinction include a serifed number 1 and a crossed out zero. Nauman is a highly legible font family aimed at large interface based projects. Details include over 800 characters with alternative lowercase a, e, I and M. 7 variations of numerals, true small caps with accents, manually edited kerning and Opentype features.
OTF | 20 Fonts | JPEG Preview | 6.6 Mb RAR
PF Centro Slab Pro Font Family
Centro Slab Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “...Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets. Centro Pro meets an ever-growing demand for such typefaces among pan-European companies and institutions”. Centro Pro has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications. Furthermore every font in this series has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.
OTF | 16 Fonts | JPEG Preview | 8.8 Mb RAR
Arquitecta. The humanist typography as a rational project. Since the experimentation from the Bauhaus through modern sans history we looked for a new mix to construct a rational geometric typeface with humanist proportions suitable for text layout and continuous reading. Inspired by American & European hand lettering from the first half of the past century, Arquitecta finds his own space as a great alternative for paragraphs in front of classics like Futura, Kabel or Avant Garde.
The family contains 8 upright romans and 8 italics with the following features:
- European accents, Old Style Numbers, Numerators & Fractions.
- Ink traps to avoid press impressing spots & hinting optimized.
- Small X-height with accentuated ascenders and descenders.
Designed by Daniel Hernández Sánchez y Miguel Hernández Montoya between the months of August and December of 2013.
OTF | 16 Fonts | JPEG Preview | 4.7 Mb RAR
LiebeKlara is LiebeFonts’ most delicious gourmet creation yet. The mouth-watering look of savory swashes and the fine aroma of masterfully sprinkled contextual alternates will make everyone happy—your spouse, family, and friends. LiebeKlara is festive enough to sit on wedding menus, but still warm enough to give everyday dinner invitations the personal flavor they deserve. LiebeKlara also likes travelling! She speaks most Western languages fluently and with a cute accent. Try it for yourself—LiebeKlara is calorie-free but (or because) she is very delicate. We hope you like her as much as we do! LiebeKlara comes with a tasty variety of ligatures and alternative forms available through OpenType features. (Please make sure your software supports OpenType if you wish to use the advanced features.) The font contains over 580 carefully hand-crafted glyphs—so it’s more like two or three fonts in one.
OTF | 1 Font | JPEG Preview | 14.2 Mb RAR
