PART 1 INTRODUCTION
- COMPLEX ARP LEAD LINES -
- ULTRA HYPER RE-SHIFTER -
- SWARM STACKING -

PART 2 DRUM/PERC PROGRAMMING
- LIQUID DISPERSION SWEEP -
- DEPHASED WAVES -
- COMB FILTERING -

PART 3 DROP THEORY
- SPECTRAL & PHASE WARP -
- VITAL SOUND DESIGN -
- ARTICULATED BASS GROWL -

PART 4 BASS FILLS
- MACHINE GUN EFFECT -
- ALIEN SPEECH PATCH -
- LAYERING SNARES -

PART 5 BASS ARRANGEMENT
- GRAIN STRETCHING -
- TONAL RESONATION -
- BAND REJECT YOINK -

PART 6 BASS JAMS
- RAZOR MORPH BASS -
- SIDE CHAIN MORPHING -
- STRATEGIC RESAMPLING -

PART 7 STEM MASTERING
- GLTICH JAMS -
- SPECTRAL HARD CLIPPING -
- MASTER TWEAKER RACK -

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