Party Like It’s 1979
In the late 1970s, synthesizers were undergoing a significant transition with the development of polyphony and onboard patch memory. As the world’s synth manufacturers raced to develop these new technologies, Roland launched a seemingly basic monophonic synthesizer—the now-classic SH-2.

The Place for Bass
Released around the same time as Roland’s pioneering JUPITER-4, the SH-2’s functionality was conservative by comparison. But its configuration of two VCOs and a sub-oscillator essentially gave it three VCOs, making it capable of extremely fat and warm analog synth tones. To this day, many synth aficionados feel it produces the most earth-shaking, bone-rattling synth bass sounds of all time.

Plug In Your Own SH-2
The SH-2 software leverages Roland’s deep knowledge of the original units to faithfully capture every fine detail, right down to the interaction between the individual circuits. Everything has been reproduced exactly, from the self-oscillating VCF to the attack and decay characteristics of the steep envelope. The original’s unique harmonic makeup and pitch wavering are present, as are behaviors that occur only in analog circuitry, like the subtle effect on tonality when parameters unrelated to the actual tone are adjusted. There are even some new features that were not available on the original:

VCO range is expandable to 64' for ultra-deep bass
Two ADSR envelopes
Modern effects: reverb, tempo-syncing delay, and bit-crusher
Auto-bend with support for reverse actions
Tempo-syncing arpeggiator

home page: https://www.roland.com/us/products/rc_sh-2/

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