DaVinci Resolve 12 combines professional editing and advanced color correction so you can edit and grade all in one application! This is the same tool used by professional Hollywood editors and colorists. If you want to work on cutting edge films, TV shows, and commercials, then DaVinci Resolve 12 is the software you need to learn!

EDITING FEATURES
• Familiar multi-track timeline
• Separate bins for media & timelines
• Searchable metadata & edit index
• Insert, Overwrite, Fit to Fill, Superimpose, Add, Extend & Trim edits
• 2 & 3-point edits, split a/v edits, J- & L-cuts
• Context sensitive Ripple, Roll, Slip & Slide trim tools
• JKL Dynamic asymmetric & symmetric trimming
• Multi Camera editing
• Match frame & reverse match frame
• Mouse or keyboard editing with programmable shortcuts
• 2-up & 4-up displays for editing & trimming
• Track targeting & locking
• Flags & markers
• Optical flow speed changes & time remapping
• Keyframe inspector & curve editor in timeline
• Copy & Paste attributes
• Through-edit indicators & join edit command
• Editable transitions with curves
• Sub-clipping
• Sample accurate audio editing
• Support for VST and Audio Unit plug-ins
• Track and clip level audio effects
• On-screen mixer and waveforms
• Drag and drop support to import files from Finder
• On-screen animation controls
• Rich Text titling with professional typography controls
• Customizable stroke, background, outlines & shadows on titles

COLOR CORRECTION FEATURES
• Unlimited grades with intuitive node based workflow
• Primary correction with wheels, YRGB sliders, RGB Mixer & log grading
• Enhanced curve editor
• Complete RAW controls including highlight & shadow recovery
• Color Match auto balancing using standard color charts
• Unlimited Secondary corrections to isolate specific parts of image
• 3D Keyer with despoil and matte finesse controls for precise qualifications
• Power Windows™ with basic shapes & custom shape tools
• Professional video scopes & monitors
• 3D multipoint tracking
• 3D multipoint stabilization
• Internal & external key/matte support
• Gallery to store frames, grades and preset “looks"
• Clip, group, or entire timeline grading
• Keyframes for animating changes over time
• Node clean up and organization tools
• Ripple grades to multiple clips
• ACES 1.0 and DaVinci Color Management
• 1D & 3D LUT support
• Split-screen for comparing shots
• Copy & paste grades
• Dirt & dust correction tools

INTEROPERABILITY & COMPATIBILITY
• FCP 7, FCP X & Premiere Pro XML import/export
• AVID AAF & ALE support
• Export to ProTools
• Automatic XML, AAF & EDL conforming
• ASC CDLs (Color Decision List) import & export
• Native RAW for ARRI, RED, Sony, Canon, CinemaDNG & Panasonic files
• Uncompressed RGB & YUV
• H.264, HDV, DVCPRO, DVCPROHD, XDCAM & DV
• DPX, Cineon, TIFF & multi-layer OpenEXR
• Avid DNxHR support as both MXF & QuickTime
• Full ProRes suppor

What's New in Version 12.5.4:
•Added support for the Touch Bar on the new MacBook Pro
•Improved EXR decode and playback performance
•Added support for Grass Valley HQ and HQX codecs
•Added support for decoding MXF ProRes files
•Added support for preserving super-white and sub-black data in ProRes 4444 codecs
•Improved grading and playback performance when working with large node graphs
•Improved support for CR2 files from Canon 5D Mark IV
•Added support for Rec. 2100 in RCM
•Added support for sliders to control Dolby Vision analysis data
•Added support for image orientation flag in DPX files
•Added P3-D65 IDTs and ODTs in ACES
•Added Rec.2020 ST.2084 1000 nits ODT clamped to P3 in ACES
•Increased maximum bitrate for JPEG2000 renders
•Addressed an issue where only one eye was updated while wiping stills in Stereoscopic 3D
•Addressed an issue with artifacts when decoding some Cineform footage
•Addressed an issue with decoding some MP4 files
•Addressed an issue with audio and video going out of sync on some phone camera footage
•Addressed an issue with exporting fades to and from black to Dolby Vision XML
•Addressed a crash with editing Camera Raw settings in the Media Pool
•Addressed an issue with "Preserve source directory" in the Deliver Page
•Addressed an issue with Audio Meters in dual screen mode
•Addressed an issue where data burn-ins are sometimes not seen on the Edit Page
•Addressed an issue with rendering one channel per track on Linux
•Addressed an issue with highlights in Lum Vs. Sat when adjusting shadows
•Addressed an issue with decoding Canon XF AVC Intra 12-bit files
•General performance and stability improvements

Requirements: Mac OS X 10.10.5 or later, 64-bit processor.
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