Since then , as the world's first digital camera there , it took a long time, and all this time experts were waiting for quality digital photography with equal quality filming on film.

The appearance of a camera capable of shooting high-quality video , closer this time. Nevertheless , for many people , a picture with a digital camera , still leaves much to be desired and does not look as good as with film cameras .

Some people say that the film has a special " magical " properties , which can never be achieved with a digital camera . We will not be so categorical , and take a more scientific approach . Over the years , the film was only possible workflow when shooting any films , but then the film is still scanned and performed installation already in digital form .

We conducted a study comparing the two images , both in the final result , in the form of digital files , and today we can say with confidence - we have unraveled the secret of the " magic " film ! We have identified specific differences that distinguish the " film " of digital image . In particular , our tests have shown that the film responds to different colors .

However , digital sensors are used in modern digital cameras are adequate, and in some cases, exceed the characteristics of the films of the dynamic range. And in this case , a picture taken from a digital sensor seems " too clean ", it differs markedly from the film movies with their inimitable charm and surprising warmth .

To fix this last " misunderstanding " and created a program FilmConvert. It uses special algorithms to approximate maximum image from digital cameras to the image , which until recently could be obtained only by removing the film.

In fact , the program uses the color information FilmConvert specific cameras and specific types of film , and converts your digital video in accordance with predetermined algorithms.

REQS:

FilmConvert for Final Cut Pro requires Final Cut Pro X or 7 or Motion 4 or 5.

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